Flesh and Bone

Temporarily escaping her abusive and troubled past, Claire gains entry into New York City's prestigious American Ballet Company where she finds new opportunities and new enemies.

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- Okay. - Thank you.

#2

[russian accent] No, no. I don't like...

#3

[Indistinct conversations]

#4

Thanks. We'll be in touch.

#5 #6

[Door opens]

#7

[Dog barking in distance]

#8

When you get hurt, count me in.

#9

You can have those shelves. Is Romeo bringing up the rest?

#10

So, where you been dancing, the freaking Bolshoi or something?

#11 #12

For God's sake, stop naysaying. You know I hate naysaying.

#13 #14

And the bitch hasn't even been in a company for like three years.

#15

- Hey. - Claire: Hey.

#16 #17

Yes.

#18

I am thrilled to have you all here...

#19 #20 #21

settling back into fourth.

#22

Ah, the hard-luck story.

#23 #24 #25

May I have the first group, please?

#26

Everything and everyone here is to do with as I will!

#27 #28 #29

Why do the tiniest dresses cost the most?

#30

Can I ask you a huge favor?

#31

Can you keep a secret?

#32

Some make arrangements, though, for later...

#33

â(Trademark)ª and once she licks your lollipop â(Trademark)ª

#34

â(Trademark)ª don't touch, kid, how you surprise me now â(Trademark)ª

#35

â(Trademark)ª ooh, ooh â(Trademark)ª

#36 #37 #38 #39 #40

Ivana: Yes, yes.

#41 #42

in which case, I will be...

#43

Your foot, this is a concern.

#44

But you are so young.

#45 #46 #47

Still so skittish.

#48 #49 #50